Ideas Collage.

Hello internet!

Well, I seem to have received positive feedback about my last blog, (THANKS) and I have decided to go with writing a series. Next you can look forward to a post on: How to turn your pattern into a THING! Most exciting. Until then, here are a whole bunch of pictures of things I would like to make.

At the moment though I have decided I need to actually finish things off properly with my garb. So until I've finished my list of half finished things there will be no new garb for me personally.

There will still be posts, just no brand new stuff yet. (This is all after I make my German doublet and skirt still).

So without any further rambling... here is a collage of ideas:

16th C Saxon:

I also really want to make more man garb. Similar to the doublet and hose combo that Prince Henry wears in Ever After. I think its either Italian or Burgundian from early 16th Century. The Italian version generally seems to have tones more lacing and I'm not such a fan of lacing cords these days. Anyway, I have found a suitable MANikin for such an item. hehe =p

I'm still making my lady doublet and skirt combination, I think for the midwinter feast. If everything goes well the Saxon might be for the ball. There was even matching dress plans with Aoife and myself and I know Vienna wanted to make a similar dress so we might turn the barony Saxon! =D Lots of experimenting and patterning and creating ahead! I'm definitly going to try and research construction of this Cranach style dress. When we are done though, we will have to have a dramatic picutre of the three of us with knifes or severed heads and that. Hehe

Speaking of the Ball... I think Elizabeth and Aoife have convinced me to put a bid forward. That's a bit exciting! =D

Corsets... Bodies! (Patterning)

HI!

So this one goes out to both Sammi and Roobi especially. Instead of writing you an email of instructions I'm writing you a blog instead.

Ok so "Bodies". These styles of corsets are designed to go under Tudor. the purpose of Tudor is to get the shape of a triangle on top of another triangle. (Roobi, we can make any shape you want, but this is the basics I'm starting out with and we can branch off later if you like!)

In the Tudor tailor there are a few different corset designs, I followed the Bodies pattern for the Elizabethan style. This is the one on the bottom right. The one at the top left is the one used with the Henrican dress I think. I have one that goes with the other black Tudor that got given to me. Its ok but I don't think its for cleavage at all... They look like the purpose is to completely flatten. I like a flat curve personally.

The way I make myself patterns is a little complicated, because I want to be able to fit them independently. The way I do it is I draw out the exact shape from the book on calico (roughly inch for inch) in pen or marker or something (not chalk) and then cut around it sparingly because I'm a larger figure. You might not have to if you are small. Basically you want to cut of these weird looking shapes and it becomes a strapless corset style thing.

Don't worry if this is not perfect, I usually end up re cutting out this calico pattern about 3 times.

It also looks like the WEIRDEST SHAPE. Don't worry, I doubted it too when I made my first patter, it just looks so odd. But it works.

Next you want to sew up the seems with any old thread it doesn't matter. Where you want the lacing to be you sew a zip in. Sew it in, doesn't have to be perfect. I recommend probably going with front lacing. This is because, again I like to be able to do it up myself, but also it helps if you want cleavage. Latter on you can make it tighter or loser depending on how much cleavage you want, but if the lacing is at the back its usually impossible to do this. Usually with the lacing at the front there is a lot more flex and bend especially in the section over the stomach. Or rather I find this because I am a bit "curvy" in the tummy area and it all just gets pushed out? I haven't experimented this with skinnier girls! See below for what my shape looked like when laid flat.

Straps need a bit of consideration. In the past I have found my boobs sort of spread out over the top of the corset if there are no straps. Where as the straps seem to hold my boobs in the middle...If that even makes sense? HOWEVER the thing MOST IMPORTANT to consider with these straps is the neckline.

My corset was designed with my black dress in mind originally:

I had thick straps (or whatever) at the top of the shoulder and it angles in towards the underarm. I really wanted to create another triangle style line. This became a problem with my red dress because I wanted the neckline to be as wide and "off the shoulder" as possible...

Solution? I just tuck the shoulder straps in the back when I wear this dress and the dress's shoulders seem to do the holding the boobs in thing for the corset. Only problem is, when I don't wear it with the straps the corset feels like its "falling down". I think this just might be because I'm putting it on to low.

Ok so my point? Hm... Well... See in the picture how they are like a triangle shape? you want to have them a decent width at the back, but not so much once they come over the shoulder, and if the look is for the off the shoulder look, I think they are pointless.

Ok. So what have you done? Cut out the pattern, sewn up the two side/back seems and put a zip down the front. you want to sew the straps on at the back but not at the front.

From here you want to cut into the underarm to make tags. Put it on, see where it doesn't fit. There is probably zero percent change that it will fit at this stage. From here is just a series of drawing lines in a different colour pen where it should be taken in pining and then taking the thing off sewing along those lines and putting it back on so it fits. When it sort of fits OK we take it of draw along the seem lines where it fits, rip it apart and copy out a new one onto calico and start again. We do this until we can be absolutely happy with the fit.

What we do want is the cuts up the sides that create the "tabs" to finish about an inch above where your ribs finish. We want the underarms to be low and not digging in. If cleavage is what we are after you don't what to keep making it smaller at the very top but section just under the boobs. This is similar in making a coathardie... You want it to be tight under the boob and fitting at the cleavage so it doesn't muffin.

You also want to focus on the neckline. You need to have an idea of the dress going over this so you can tailor this neckline to be hidden under that. There is nothing worse than being unhappy with an amazing dress because you under things don't match up and show through. (Although if this is the look you are going for then... by all means...) Similarly you want to know what you want the back of your dress to looks like. I like mine to be high at the back and square. I like square because I think it matches the front the best... but its really up to you. I really like that tudor look that makes the shoulder straps finish under the underarm and off the shoulder. I looks uncomfortable and like they have no shoulders... it makes their shoulders seem very "down" but this could have always been the fashion of how things were drawn. I also think it makes the neck look longer and more elegant (NOT in this picture though).

Don't worry so much about the neckline and shape and all that in the start though. that can be adjusted for after the corset fits the rest of the body!

Patterning is the most fiddly part of the process. its a lot of taking it off putting it on cutting and re cutting. ripping and re sewing. The only advice I have is don't be a perfectionist at the start.

Something else to consider is the calico has a lot of stretch in it. Adding a second layer of calico can enforce this and will create a more realistic final pattern.

OK so here are some pictures of my corset. Keep in mind its pretty worn and stretched to allow for my hips.  Se the cuts that make up the "tabs" you do not want to cut a section out, just a slit, they look far apart because of the bias binding. Also, mine are all uneven, This is because I went back and changed one or two but not the others. (Coz again, I'm lazy)

This looks pretty uneven hey... Oh well...

Hm... I think that's it for now. Hope that makes sense... haha

Tent Thoughts...

I Should have blogged about some garb I finished before festival but uni is getting in the way and I cbf...

Anyway. I have one last presentation assignment tomorrow and an Exam in two weeks and I'm done with my BA and will be a fully graduated Taxation Accountant. I plan to start my CPA next year and take a 6 month break.

Did you know? It is 3 and a half months unit my birthday?! I didn't either!! What do I want this year?? I want a tent! Wooo. So the main purpose of this blog is to formulate all my tent ideas onto one area.

I really don't see the point of spending so much money on a tent if its not going to be done right. I really want it to authentic to period design, but I also want it to be a tent that my personal might use during her time.

And yes, Apparently the design I want is going to be obnoxiously large. If I'm spending the money, Why not.

Only this is, will I be able to afford it with my Europe trip next year? Maybe...

SHAPE.
Since last year I've been wanting an oval shaped tent. I like the usability of the square tent, but I want to be able to make separate "rooms" in my tent. I want to have a side for my bed, a side for dressing and a centre area for a door on each side and a sitting room/ entertainment area.

Here are some pictures of the shape I want:

The only issue I see here is with all the pictures of oval tents the middle section is the widest and the sides are smaller. I plan to fit a queen sized bed in one half and need the distance from the centre-side pole to the wall to be at least 2.5 metres. much like where this bed is: (however this is a round tent).

I'm thinking to overcome this I would need to
A) Make it ridiculously tall, or
B) put in side wall poles or
C) Maybe I will just have to make the tent wide enough to fit the bed along one side and next to the centre pole?

If I put in side wall poles I could use less rope, but then there is the problem where I have more and more poles to cart around.
If I make it super tall, the canvas will cost more because I'll have to get a metric fuck tone of it! But maybe if I used the side wall poles I would have a smaller "rope" footprint

DESIGN:
The design I want is the oval shape, with two centre poles and a cross beam up the top. this would be the old wood frame. There would be guy lines on the top to span outwards and then on the roof internal channles with ropes that come through the shoulder of the rent that tie to the ground

ROPE.
I love the crows feet seen on all the tents. I found this tent, from HERE. Crows feet can be done a number of ways it would seem, However this tent appears to be in existence late period enough for my persona that I love it, even though it is not geographically from the right location or an oval shape. I do think that my SCA persona, originating from Italy, but currently part of a Scottish household would have travelled through Switzerland and onto France then England and Scotland.

The crows feet on this tent are three to a section and connect to the canvas roof with actual hooks. Buttons and other such methods can be used but I think I prefer these hook, considering.

 

Here is a picture of Crows feet coming through wall, probably being buttons or toggles or something on the inside

and here are some more pictures of crows feet:

Just thinking.... With the channels through the roof if every alternative channel had two ropes, they could split at the shoulder to join into threes and create the crows feet. followed by a complicated knot:

This white and blue tent doesn't seem to have channels of "roof rope"

WALLS

Walls can be used as tension. I think it looks horrible and if not super even can make a tent look like its collapsing or lopsided or poorly made. From the round white and blue tent above, it is actually set up in a museum and altered slightly, but the walls still seem to hold tension to tie it to the floor. You can see it was meant to peg into the ground by the reinforced leather seen here:

 

There is an internal structure in this tent because it is set up in a museum. It is not a hub and spoke!

 But I really LOVE the look of these Curtain walls:

 

I know they would be expensive, and it would be a case of, in the future I would buy some more fabric and make more walls.... But I love the idea of making a thicker wall!!! It would not only try to muffle noise better but also attempt to prevent shadowing from the the inside to the outside, if you catch my drift!

COLOUR AND DESIGN
As for colour and design I think I would love a Dark Blue tent. I like the stripes, and If I am going to do an oval shape, I think I like the idea of red channels for rope... or just red stripes.

Here are some more pictures:

 

Here are a whole bunch of links that were useful to me:

http://home.adelphi.edu/sbloch/sca/tents/secondkr.html
http://home.adelphi.edu/sbloch/sca/tents/index.shtml 

http://home.adelphi.edu/sbloch/sca/tents/taxonomy.html
http://midtown.net/dragonwing/col9712.htm 

http://midtown.net/dragonwing/col9801.htm 

http://web.archive.org/web/20040604025903/baphomet.uchicago.edu/pavilion/illustrations.html 

http://www.greydragon.org/pavilions/basel.html